Abstract
This research explores Charlie Christian’s influence on the rise of the jazz electric guitar, focusing on his contributions to the Benny Goodman Sextet, Minton’s Playhouse, and his pioneering role in establishing the electric guitar as a solo instrument. To examine Christian’s impact, I conducted a stylistic analysis of his composition “Grand Slam,” identifying key elements such as single-note lines, syncopation, and swing phrasing that revolutionized jazz guitar performance. This analysis involved reviewing a transcription and studying Christian’s recorded solos to understand his improvisational techniques and harmonic choices. Building on this research, I composed an original jazz lead sheet that integrates Christian’s stylistic and harmonic approaches, serving as a modern interpretation of his legacy. This composition was developed through comparative analysis, drawing connections between Christian’s techniques and their evolution in later jazz guitarists. This piece will be performed as part of the presentation, illustrating how Christian’s approach continues to inspire Jazz musicians. By bridging historical analysis with creative application, this project highlights Charlie Christian’s continuing impact on the art and technique of Jazz electric guitar soloing.
Research Poster
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